“There are a few things about Avengers: Endgame that set it apart from the rest of the Marvel Cinematic Universe canon, and one of them is the fact that it’s the rare movie in that series that has an ending. It is an ending, really. Endgame went to so much trouble resolving nearly every ongoing plot thread and character arc that it very much could have served as the final Marvel movie: The end to the grand experiment that started a decade earlier when Nick Fury showed up during the credits of Iron Man. But there will never be a final Marvel movie—at least, not if the studio has anything to say about it.” Read more at The A.V. Club Ted Lasso is providing fantastic representation for mental illness and therapy during its second season. Read more at Inverse Eternals and Nomadland director Chloe Zhao wants to direct a Star Wars movie, and we’re all here for it. “Chloé Zhao is taking the world by storm in the best way. After her Oscar win for Best Director for her film Nomadland, Zhao has been gearing up for the release of her Marvel debut with Eternals this November. A visionary director who has a very thematic approach to her work, she’s going to knock something like Eternals out of the park. But why stop there? Why not let Zhao direct other major franchises? Or, better yet, why not let her direct something like Star Wars that she clearly wants to do?” Read more at The Mary Sue Things are heating up with our first look at the Game of Thrones spinoff series House of the Dragon. Read more at Gizmodo It’s official, Sora from Kindom Hearts is the final character in Super Smash Bros. Ultimate. “Sora is the latest in a long line of blade-based fighters in Smash Bros. He’s apparently lighter than Animal Crossing’s Isabelle and can be launched easily as a result. His basic attacks are a bit slower than other sword fighters, like Lucina or Marth, but you can hold down the basic attack button to perform multi-move combos. Also, his aerial combos look bonkers.” Read more at Kotaku In a world where people always want more, perhaps the 90-minute of Venom: Let There Be Carnage would be a better way to go for blockbuster filmmaking. Read more at Collider